The Kharkiv-based artists’ collective SOSka proposed an exhibition titled “A New History” for the Kharkiv Art Museum. It included works by artists from Ukraine, Russia, Slovakia, Romania and Sweden; some pieces had been shown previously in international exhibitions such as Manifesta 7 and Art Moscow. Adopting a structure similar to curator Ekaterina Degot’s exhibition “Thinking Realism” in the State Tretiakov Gallery in Moscow (2007), the curators paired contemporary artworks (mostly video) with works from the permanent collection in order to raise questions and introduce the possibility for new readings. In Kharkiv, the contemporary art objects were juxtaposed with historical paintings and sculptures, creating a visual and aural dissonance that was perceived by museum administrators as a conflict, rather than as a dialogue as the curators had intended.
“A New History” was scheduled for five days, but it was abruptly closed by order of the museum director, Valentina Myzgina, the day after the opening. In an official letter of explanation sent to the EIDOS foundation president two weeks later, Myzgina cited several reasons for shutting down the exhibition. These included concerns that video artworks were installed so close to museum paintings that they interfered with viewing the paintings. Some video works broadcast sound into the gallery rather than through headphones, and they contained offensive language. David Ter-Oganyan’s installation “Girl in Underwear,” which was not discussed and approved during initial negotiations between the curators and museum staff, consisted of articles of clothing scattered in the middle of a corridor. Judging this to be a disruption of museum circulation and violation of fire safety norms, the director personally dismantled the piece at the exhibition opening.
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